recording main score for the film was done using two AKG C414 microphones, an electric piano and recording into protools

After receiving picture lock I began on levelling the dialogue making it either quieter because it was recorded to loud or louder because it was so quiet. When that was complete I then began to start working on foley SFX in the studio either with aid of the location sound recordist Matt Capiteux, another student Natasha Sharma but most times by myself by setting the record to loop and going into the foley room by myself.